Indian Philosophy of Nada and Its Vocal Applications by B. S. Ralkote

Description

The concept of nada in the form of Pranava or Omkara has dominated Indian culture, civilization, and philosophy right from Vedic times. Having regard to this kind of tradition, the author undertook an investigation into the concept of nada, by taking it as the subject matter for his doctoral thesis, since the research of this kind was wanted and novel. The author has examined almost all important orthodox and heterodox philosophical systems of India, including the theories of nada as accepted and applied in tantragamas, in music and in grammatology, in order to ascertain the exact nature of nada different from dhvani (sound). The book also highlights musical, linguistic, aesthetic and mystic applications of nada. It is hoped that both general readers and research scholars will enjoy and appreciate it.